I approach jewellery through the relationship between material, body, production and contemporary culture. Across my work, I am interested in jewellery as both personal adornment and cultural expression, and in how existing forms, craftsmanship traditions and symbols can be reinterpreted through contemporary making processes.
My work combines traditional goldsmithing and digital processes such as CAD/CAM, 3D scanning and rapid prototyping. Rather than understanding analogue and digital methods as opposites, I approach them as interconnected tools within an evolving design process shaped by experimentation, technical development and making.
Recurring themes throughout my work include continuity of form, seriality, sustainability and everyday wearability. I am particularly interested in how jewellery can maintain a distinct visual language, recognisability and long-term relevance.
Alongside independent projects and collaborations such as 202 EDITIONS, my work also includes teaching, curatorial initiatives and interdisciplinary projects connected to contemporary design and craft practices.
Teaching forms an important part of my work and is closely connected to my approach to design and making. I enjoy creating environments that encourage experimentation, curiosity and collaborative learning, while supporting students in developing both technical confidence and an individual creative position.