The projects presented here bring together selected jewellery works, serial design systems, collaborative formats and curatorial projects developed across different stages of my work. Across these different contexts, recurring interests include material transformation, wearability, reinterpretation and contemporary production processes.

I approach jewellery through the interplay of material, body, manufacturing and contemporary culture. My designs explore how pieces can communicate between personal expression, everyday life and contemporary style while remaining closely connected to craftsmanship, tactility and wearability.

202 EDITIONS, the jewellery label I co-founded and developed over several years, forms an important part of my work and my approach to sustainability and serial production. Alongside this project, the works presented here include independent jewellery pieces, small collections, exhibitions, collaborative formats and curatorial projects connected to contemporary design and craft practices.

Recurring interests throughout the work include continuity of form, material responsibility and the relationship between jewellery, use and everyday experience.

Traditional goldsmithing and digital processes such as CAD/CAM, 3D scanning and rapid prototyping all play an important role within my work. Rather than understanding analogue and digital methods as opposites, I approach them as connected tools within an evolving process shaped by experimentation, technical development and making.

Across these different contexts, the work remains grounded in curiosity, material sensitivity and an ongoing interest in how jewellery is made, worn and experienced.